A Conversation for Frank Lloyd Wright
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Guide Construction (FLW)
Anole Posted Sep 23, 2006
No, no. I'm putting all of it in another spot so I can look at it, easier, like a check list type thing.
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Sep 23, 2006
allright, do that
And I'll work my way through my book. But not today anymore. I'll go on tomorrow and then probably leave it during the week as I can't really concentrate after work.
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Sep 24, 2006
ok, an idea for a beginning:
'Nature is my manifestation of God. I go to nature every day for inspiration in the day's work. I follow in building the principles which nature has used in its domain.'
Frank Lloyd Wright may be America’s most famous architect. He did not only design many buildings but brought up many revolutionary ideas and even founded an own school of architecture.
I hope you don't find it too short, but maybe I can think of more once we have more of the entry.
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Sep 24, 2006
Fallingwater
1935-1939, for Edgar J. Kaufmann
http://www.vinci.org/uml/i/fallingwater-831x624.jpg
shall the express peace and calmness which are created by wood, river and rock at this place
the people living in the house are set in a relation with the nature around the house (find a better way to say that if you can)
in every part of the building the beauty of nature is shown and becomes part of life
the lower storey has views to three sides and two terrasses, one up the river, the other across the rocks and the waterfall
in the other two storeys every room has access (?) to a terrasse, too
all vertical elements of the house are built out of stones coming from the region. The way in which the walls are build makes a skulptural expression.
The horizontal parts are out of concrete
interior:
floors and walls are coated (?) with stones, all wood is walnut
That's all I could find in my book. I'll go on researching.
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Oct 4, 2006
ok, so:
Taliesin
FLW's house, studio and farm
Spring Green, Wisconsin
please look up what the name means in English, I can't translate it properly, it's welsh, glowing mountain-something
FLW took that name because of his welsh origins and because the house is on a mountain-thingy
the one storey building had a beautiful view over the mountains and the valley with a lake, on the other side of the L-shaped building was an enclosed(?) garden
twice the building was destroied by fire and today's Taliesin II is much bigger
http://www.pbs.org/flw/buildings/taliesin/images/taliesin_draw3.jpg
Taliesin III:
http://www.delmars.com/wright/flwtalies.jpg
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Oct 4, 2006
oh, and it was built 1911-1959 (I guess that's till Taliesin III was finished)
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Oct 4, 2006
1937-1959 Taliesin West
apartment, studio of FLW
Scottsdale, Arizona
to 'flee' from the winters of Wisconsin, FLW decided to move to Arizona
he described the view from the McDowell hills as view over the rim of the world
the walls are natural stones and above frames of wood which were covered with white tarpaulin; that was inspied by Camp Ocatillo [I'll tell you in the next post]
to make the building more durable [?] FLW added glass and steel
http://www.delmars.com/wright/taliesn2.jpg
http://www.bc.edu/bc_org/avp/cas/fnart/fa267/flw/taliesin_west02.jpg
wright's office:
http://www.katecohen.com/road%20pix/wright-office.jpg
(I think you can see the construction quite well on this picture)
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Oct 4, 2006
1929 Ocatillo
desert camp
Chandler, Arizona
FLW built it when he should build the hotel 'San Marcos-in-the-Desert' [yea, I'll try to find something about that, too]
he lived there with his family and his team
it was called Ocatillo because of the cactus around
it was Wright's first experiment with canvas/tarpaulin (? the book isn't very clear about that) as architectural material
FLW liked the white light that came through the cloth, it also harmonized with the desert
couldn't find a picture
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Oct 4, 2006
1936-1939 Johnson Building
S.C. Johnson & Son Company
Racine, Wisconsin
when the building was opened in 1939 it was a worldwide sensation/splash (?)
as the building is situated in an industrial area, FLW decided to close it to the outside and get in light only from above
in the working hall a 'forest' of concrete pillars hold the roof. At the top they get wider and form circles, the spaces in between is glass
in the corners where wall and roof usually meet are glass tubes which create a connection to the roof
the entrance is inside of the complex, at the same side as the covered garages
all furniture was designed only for this building
the red colour of the brick walls is also taken for the floor and are a contrast to the white concrete pillars
http://www.delmars.com/wright/scja1.jpg
http://homepages.ihug.co.nz/~dbaxo/johnson_wax_inside.jpg
(no idea which one's better)
http://www2.gsu.edu/~wwwher/courses/8690/johnson/1.jpg
Guide Construction (FLW)
Tavaron da Quirm - Arts Editor Posted Nov 1, 2006
another good pic of the Johnson building: http://www.delmars.com/wright/scjrdraw.jpg
Taliesin
Tavaron da Quirm - Arts Editor Posted Nov 15, 2006
more about taliesin:
FLW spent his childhood where this house stands (well, in this region, not exactly the spot)
the house should stand not *on* the hill because no house ever shall stand *on* something, it should be part of the hill. It should be 'natural' and not destroy the environment.
the stones for the terraces came from a quarry nearby and had the same structure as the stone out of which the hill was itself. Hill and terraces should be one.
Every one of the 4 courtyards had a 'spring' (the water came from a small river) and the water run to the vegetable garden.
Taliesin should be living and workingplace for the architect, his family and helpers and also a farmhouse. People who live there should be able to make a living from the land.
the stonefoundations were connected with the chimneys. The walls were light and out of wood. The connection of stone and wood was to be seen everywhere on the hill. (trees) The slopes of the roofs were the slopes of the hills and also were out of wood.
to be continued...
Taliesin
Tavaron da Quirm - Arts Editor Posted Nov 15, 2006
the floors inside were either of the same stone as the terraces or out of wood, the colour for the walls was natural Siena.
The sun could shine into every room at every time of the day through one of the various windows.
During the winter icicles should hang on the roof and so there are no gutters.
The furniture was simple.
ok, that's enough, I think. Now we'll have to write a summary of the summary
Fallingwater
Tavaron da Quirm - Arts Editor Posted Nov 15, 2006
Fallingwater:
for the first time reinforced concrete was really neccessary for a residential building by FLW
pffft... and that's it, I don't understand the rest of the page about it
Johnson laboratory
Tavaron da Quirm - Arts Editor Posted Nov 15, 2006
The Johnson laboratory was not flat like most others but a tower. That brings more light into the building and less ground is needed. It brought two times as much sunlight and working place.
The storeys are built around a round shaft in which all drains etc are and which carries the ceilings/floors. In the shaft are also lifts and stairs.
The glass facade hangs on every second floor. It is made out of glass tubes which are connected with aluminuim and plastic, because of temperature an inner hull out of flat glass was added.
(I think that's the tower next to the johnson building)
Key: Complain about this post
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Guide Construction (FLW)
- 21: Tavaron da Quirm - Arts Editor (Sep 23, 2006)
- 22: Anole (Sep 23, 2006)
- 23: Tavaron da Quirm - Arts Editor (Sep 23, 2006)
- 24: Anole (Sep 23, 2006)
- 25: Tavaron da Quirm - Arts Editor (Sep 24, 2006)
- 26: Tavaron da Quirm - Arts Editor (Sep 24, 2006)
- 27: Anole (Sep 24, 2006)
- 28: Tavaron da Quirm - Arts Editor (Sep 24, 2006)
- 29: Anole (Sep 24, 2006)
- 30: Tavaron da Quirm - Arts Editor (Oct 4, 2006)
- 31: Tavaron da Quirm - Arts Editor (Oct 4, 2006)
- 32: Tavaron da Quirm - Arts Editor (Oct 4, 2006)
- 33: Tavaron da Quirm - Arts Editor (Oct 4, 2006)
- 34: Tavaron da Quirm - Arts Editor (Oct 4, 2006)
- 35: Tavaron da Quirm - Arts Editor (Nov 1, 2006)
- 36: Tavaron da Quirm - Arts Editor (Nov 15, 2006)
- 37: Tavaron da Quirm - Arts Editor (Nov 15, 2006)
- 38: Tavaron da Quirm - Arts Editor (Nov 15, 2006)
- 39: Tavaron da Quirm - Arts Editor (Nov 15, 2006)
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