A Conversation for Filling in for the Stage Manager in an Amateur Production
I hear you!
Researcher 204912 Started conversation Sep 30, 2002
Having just finished Two Amatuer productions back to back as the prop guy and then the stage manager (on 10 days notice) I relate totaly to what you say. I'ts worse when the director asks you if you can 'find a few guy to be the crew' . and then informs you that you also have a 30 second role to play (4 lines) , three days before going on stage. If you want a sympathetic ear I hear you! man do I hear you.
I hear you!
mickfoil Posted Nov 13, 2002
I agree with you about that. I'm not a stage manager, but a fight choreographer, and I have also experienced the world of the amateur theatre firsthand. I recently finished a gig where I had to choreograph a short swordfight for a filmed sequence. I had my first rehearsal with the actor involved (I had arranged to play the villain, thereby saving training time), only to learn that I would not see the actor again until the week before shooting as he was going on his honeymoon. This would've been great if he had had the training I was told he had. In reality, his "experience" involved two shows, West Side Story and a ballet of Romeo and Juliet, neither of which involved any extensive fighting on his part. So, I spent the remainder of my first rehearsal giving him enough to enable him to survive. We do this for the glamour, right? Good grief. Still, he was a trouper- no one got hurt, and it ended up looking great.
I hear you!
Mushy Mayt. Posted Jan 12, 2003
Hey, I've got some harrowing romeo and Juliet experiences of my own! (For a long time, they didn't trust us with real daggers, so we trained on butter knives!) The fight choreographer was great, though. He incorporated all of our ninja aspirations beautifully.
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