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Handel - finally...

Post 1

Alien

Now I've finally managed to edit my draft on Handel enough to publish it online... smiley - winkeye Available in http://www.h2g2.com/A412444 ... smiley - smiley

Feel free to correct my grammar and add anything I've forgotten - if you have time... smiley - smiley


Handel - finally...

Post 2

Kes

Great! Now going for a look smiley - smiley


Handel - finally...

Post 3

Kes

I came, I saw - you won! Love it! smiley - smiley

It reads very well. I'll put a link into the covering article. here are a few observations and corrections:

Biography, para.3: Needs a comma: "After spending a few years in Hamburg , Handel ..."

Biography, last para: Worth mentioning that Handel switched from opera to oratorio to keep production costs down (no scenery, no costumes).

Music section: comparison should be "either" not "neither". Also, how about one-line explanations ( smiley - smiley ) of homophony and polyphony?

List of major works: A mention of his Concerti Grossi?

That's it - a really nice article - thanks.

I've just done a first draft of an explanation of the "Goldberg" variations as A433748 . Would you care to look, and make comments? Much appreciated.


Handel - finally...

Post 4

Alien

Thanks for your comments! smiley - smiley

I've corrected the mistakes, but will add the rest of your suggestions later (when have more time...) - I'll also take a look at the Goldberg variations...

Now how does this 'university'-thing work? Should I put it to the Peer Review page?? If Handel gets edited before your covering article they'll remove the link when editing - and the link's temporary anyway since the number will change after editing... I'm all confused...


Handel - finally...

Post 5

Alien

The mention of production costs it there now... And I tried to explain polyphony & homophony but found it too difficult in English... smiley - tongueout Perhaps you'd like to help? smiley - smiley


Handel - finally...

Post 6

Alien

Read through the 'Goldberg Variations' - great! smiley - smiley I don't think there's anything I could add - I'm not too familiar with them... smiley - sadface
Just one stylish thing I noticed - the paragraphs are touching the headers... Do you use the tags?


Handel - finally...

Post 7

Kes

To answer your various questions:

The idea of preparing a series of related articles as a Uni. project is to be able to put comprehensive links into all of them - in both directions, which means not submitting them until the agreed "set" is complete. Then we recommend the whole lot; if accepted, they are published in ones and twos.

At some point soon (probably within 2 weeks, those who've contributed will do a last review & proof read, and we'll agree if we're ready to submit. In the meantime, I'll sort the admin details out (through the Uni.)

OK - I'll write a few lines on homophony & polyphony - sometime over the next few days - I'll post them on this thread.

I'm afraid I'm still a novice at GuideML. Joanna has taken care of some of my articles, and tidied them up. So tages provide some paragraph formatting? Space between text and header ... Presumably a between header and text .... so the goes ???? (Sorry to be so dim!)


Handel - finally...

Post 8

Alien

The tags surround the paragraphs so it would look like this:

And thanks for the term-explanations - much appreciated smiley - smiley
The editing-thing is clear now too I guess... smiley - smiley


Handel - finally...

Post 9

Kes

Aha! I had been truggling along using multiple s. How inelegant!

Some re=formatting coming up, I feel! smiley - smiley

Thanks for the tip.


Handel - finally...

Post 10

Kes

With apologies for the dealy, here are some suggested words to explain homophony and polyphony.:

Homophony and Polyphony.

They are two different ways of composing arrangements. As an example, consider a melody that is the top part of a four-part arrangement. There are two ways of adding the remaining three parts.

Homophony is where the composer looks at the music in vertical slices - taking each note of the melody, and constructing a chord underneath it with the other three parts. Each chord has to observe the musical "rules", so that the result sounds pleasant.

In polyphony, the composer works horizontally - each of the four parts has a life in itself - rather like four melodies coexisting in the same space. Again, the result must sound musical, so some conventions are observed, but there is a greater degree of compositional freedom - for example, dissonance can be introduced.


Will that do for you?


Handel - finally...

Post 11

Alien

That certainly will do!! smiley - smiley Thanks!! smiley - smiley
I thought it would be best as a footnote so I added it there... If you have different opinions, just say so... smiley - smiley


Handel - finally...

Post 12

Kes

I agree - best as a footnote - looks great!
I'll apply some "polish" to the other articles, then call the Uni. - I'll keep you informed. Thanks again for the contribution.


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