Front Page

Life | The Universe | Everything | Advanced Search
 
Front PageReadTalkContributeHelp!FeedbackWho is Online

or register to join or start a new conversation.

 
This is the Conversation Forum for Classical Violins
<< help!
Some corrections >>

Subject: Ways of playing
Posted Aug 23, 2001 by
Scumbag
 
Posting 1

Next Posting
You said that there were three ways of playing.

I have seen a fourth method during a performance of The Planets (by Holst). At the start of the first movement, the violinists were slapping their bows down onto the strings.
What is this technique called? Isn't it likely to snap the bow?

Reply
Read the First Reply to this Posting

Click here to register a complaint about this Posting
Subject: Ways of playing
Posted Jan 29, 2002 by
Researcher 189341
This is a reply to this Posting  
Posting 2

Previous PostingNext Posting
Were their bows bouncing off the strings when they 'slapped' them down? If so, this is called riccochet.

the_violinist :D

Reply
Read the First Reply to this Posting

Click here to register a complaint about this Posting
Subject: Ways of playing
Posted Jul 26, 2002 by
caper_plip
This is a reply to this Posting  
Posting 3

Previous PostingNext Posting
Another method that should be added is tremelo - basically a succession of short bows to give a very interesting sound indeed (you have to hear it to describe it... as a violinist I find it works better at the point of the bowsmiley )

Reply
Click here to register a complaint about this Posting
Subject: Ways of playing
Posted Sep 11, 2002 by Online Now
Mikeo the gregarious
This is a reply to this Posting  
Posting 4

Previous Posting
When they "slap" their bows down, did you notice that the bows were turned forward, so that the wood of the bow hits the string? This is known as "col legno" (with the wood) - while it's not likely to snap the bow, it does break off the varnish from the bow, so violinists/violists/cellists/bassists often have a spare bow for this piece!

You can also spot this effect in a number of other pieces: Berlioz's "Symphonie Fantastique" (5th movement), Saint-Saëns' "Danse Macabre" and I think a piece by Ives (variations on the theme "God Save the Queen") also uses it. It's generally used when a sort of skeletal/death-like effect is desired - particularly appropriate for the first two examples I mentioned!

Mikeo

Reply
Click here to register a complaint about this Posting




Already at Start of ConversationNo Older Postings to ShowNo Newer Postings to ShowAlready at End of Conversation
Postings 1-20

Conversation list




Already at Start of ConversationNo Older Postings to ShowNo Newer Postings to ShowAlready at End of Conversation
Postings 1-20

Conversation list

Front PageReadTalkContributeHelp!FeedbackWho is Online

Please note that Not Panicking Ltd is not responsible for the content of any external sites listed. The content on h2g2 is created by h2g2's Researchers, who are members of the public. Unlike Edited Guide Entries, the content on this page has not necessarily been checked by a h2g2 editor. In the event that you consider anything on this page to be in breach of the site's House Rules, please click here .


About | Help | Terms of Use